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Though not esoteric, the poems are certainly not easy either. They are by turns abstract and concrete, tender and brutal, glib and sincere. They don’t orbit a theme so much as they draw in a variety of themes by their own gravity. This gravity, their indelible weight, is the key Read more
Pui Ying Wong’s book of poems, Fanling in October, is both restrained and deeply surprising. She is a traveler, not just across borders, but across history, her own ancestry and that of others, in search of home—past, present, and future. Read more
Loop Light awhile under the door then gone then you out into the dawn and then me back asleep. Read more
Unfiltered and full of dark humor, desire, and sexual energy, Southwick’s debut poetry collection, Orchid Alpha, unpacks the id of the modern day woman. The speaker flirts with the edges of gender constructs and social boundaries, between “being good” and inviting indiscretion. Played out in acrylic bathtubs and hotel bars, Read more
The forward slash is used, of course, to indicate a line break when writing about poetry and since forward slashes are used throughout, “A Baton”—one of the few dualities—I will write out “(line break)” and consequently “(stanza break)” to honor the use of the forward slash in the poem. Read more
Every Single Bird Rising is this poet’s second language. Xiaoly Li’s debut collection is both weightless and heavy, depending on the line your eyes end up lingering on. What I love about this collection is this text presents some challenges as a writer: I cannot tell you who I am Read more